Paul McCartney: Live at Abbey Road

Live in-studio tracks were recorded during the making of "One Hand Clapping," a TV special planned as a follow up to "James Paul McCartney." They were getting ready for a world tour, but that was cancelled, the TV special was cancelled, and drummer Geoff Britton was fired. Everything had pretty much fallen through, and Paul and Wings moved on to later projects. Some of the footage still exists for "One Hand Clapping" and is scattered out there on the internet.

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The performances themselves are great. There are a few different takes of songs, like "Soily" and "Junior's Farm," but the tracks are sequenced well and it doesn't feel redundant.

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Here's a "Wild Life/Hi Hi Hi" medley:

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Download the full set.

Stevie Wonder: Funkafied Rainbow

Recorded live in London in January of 1974 at The Rainbow, Stevie and the band put on a great show. 

Thankfully, the show was being recorded and, today, I bring these tapes to you.

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For a reason unbeknownst to me, this show was never released. There are a few sources saying that the show was recorded and mixed by Mr. Wonder himself, but ultimately abandoned and left in the vaults.

Which is a shame, because the performances are great. The band really stretches out on these funky tunes and deliver an eleven minute take on "Living for the City" and an even longer "You are the Sunshine of My Life."

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It also helps that these are not only great performances, but great songs. This was recorded during his peak years (usually referred to as Music of My Mind to Songs in the Key of Life,) but he hadn't made Songs in the Key of Life yet, leaving what could have been a great performance of "Sir Duke" to be an empty spot.

But, why complain? The show is great and deserves a listen.

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Here's "Higher Ground"

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Download the full show.

Bob Dylan: Abandoned Love

During 1975, ol' Bob was going strong on his Rolling Thunder Revue. One of his stops was a surprise performance at a small club backing up Ramblin' Jack Elliot. Into a mostly Jack Elliott dominated set, Bob sat down with a guitar in his hands and decided to play a new song.

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It starts with a decent amount of guitar strumming, perhaps to build confidence, and then it goes into a quietly-delivered line. The vocal's volume slowly builds with the reception from the audience: laughing, whistling, cheering, and applauding.

It was considered for Desire, but, in what may be one of the worst decisions in Bob's career, was replaced by Joey. Which is too bad; this song would have fit greatly into the albums mood. It's catchy, has the subject matter of Blood on the Tracks, and the lyrics to match it.

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I'm a big Bob fan, though I don't listen to his music as much as I'd like to. However, when I first heard this song, I must have played it five times in succession, which I something I rarely ever do. It's become one of my favorite songs of his, and it's a terrible shame it didn't make it on that album.

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Here it is...

The Beach Boys: Michigan University, 1966

The Beach Boys

In 1964, Brian quit touring with the band for reasons that have been written about more than one would could care to count. However, he did come back for a few concerts in 1965, replacing Glenn Campbell for a week and replacing Bruce Johnston for a show or two.

The more prominent return he made to the stage until the 1967 shows was to the Michigan concerts. He personally flew to Michigan from Los Angeles to produce the concert and rehearsed the band for the live premiere of "Good Vibrations." He also came out for a surprise performance and played on "Johnny B. Goode" with the rest of the band.

Sound-wise, the recording is top notch. The sounds are very crisp and clear and seem to be professionally recorded. Although, there isn't any strong evidence for a commercial release of this album in 1966, the evidence points toward the possibilities. 

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Download the full show

Big Star: Cambridge, Massachusetts, 1974

March 31, 1974:

Big Star were in pretty dire straits at this point. Chris Bell had left and Andy Hummel left soon after him. They weren't much of a band anymore and cracks had begun to show in Alex's psyche. And, to make things worst, just before the show, their equipment van was stolen.

However, this proved to make for an interesting concert experience. No material from Third/Sister Lovers was played, unless you count the cover of The Kinks' "'Til the End of the Day." Interestingly enough, the songs were mostly covers, and very interesting ones at that. They covered The Velvet Underground's "Candy Says," T. Rex's "Baby Strange" (a cover I very much enjoy,) Loudon Wainright III's "Motel Blues," the aforementioned Kinks song, and another song I'm not familiar with, titled "We Gotta Go."

The originals included, mostly from Radio City, are fascinating additions. They are Third/Sister Lovers-styled versions of their power-pop classics. "In the Street" is still its familiar self, but with an edgy sheen. "O My Soul" is a great, muscular, guitar workout. "Thirteen" isn't too much different, although the guitar accompaniment sounds different than the original album version.

At the end of "Thirteen," Chilton says "Alright, let's do some more electric songs." And they dive headlong into the abyss.

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Here's "Candy Says:"


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Download the whole show

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Here's some bootleg artwork:

This one I found

This one I made